(Originally Posted August 18, 2018)
Possible Triggers: Gore, Murder, Death, Monsters, Abuse, Rape
Safe For Work: Somewhat – wear headphones
Brace yourself… for the NoSleep Podcast.
General: Debuting in 2011, The NoSleep Podcast is a collection of narrated stories from the subreddit NoSleep, where writers can post their original horror stories. The podcast was started and is still produced and hosted by David Cummings, the voice introducing each episode with a warning of scary, horrifying things to come. The show has a variety of voice actors from all corners of North America – and a few from the UK – making for a fun and interesting listening experience.
All stories featured on NoSleep are the original works of the Reddit horror writers’ community – some of whom have gone on to publish their works. Each story in an episode (between two and five – more on that later) is narrated by a different person, with others stepping in to fill roles of side characters, making it seem less like you’re having a story read to you and more like a performance. Included in that performance is sound effects and music, produced in-house by the musical mistro Brandon Boone.
The narrations and the music are top notch. It’s apparent that, despite the distances (and oceans) between them, the voice actors get along well and enjoy working together. The show has done two live tours throughout the US, and was sure to keep the audience updated on their travels and tolerance for one another. The second tour featured a treat for those who couldn’t go to a show but were still listening to the weekly releases in season ten — a story put together by voice actor and temporary host Peter Lewis (who may or may not be a cryptid running around Detroit), where the Home Team (those not on the tour) were sent on a mysterious quest which… well, we wouldn’t want to spoil the fun, would we? Let’s just say it’s a miracle Lewis still has a functioning mind after the amount of times he was zapped.
The most important thing, of course, is the quality of the stories. How do they stack up? Luckily for its listeners, the NoSleep team has an eye for good stories. The few that cross the realm from mysterious and confusing are a rare occurrence, as are those which forget the importance of “show, don’t tell.” While there may be an odd flop here or there, a good 97% of the stories featured are excellent. The overarching genre of every story is horror, but it’s not all tradition monsters, paranormal, Satan worshippers, and mysterious tunnels found under one’s house. Some of the best stories are about the horror not of the unknown, but of humanity itself.
One of the best examples of this is the season seven finale, an excellent production of “Borrasca” by C.K. Walker, which featured the entire cast of voice actors in one way or another. It’s the story of a young boy who moves to a small town and discovers a mystery – as they do – involving the old mines outside of team, disappearing girls, and a strange noise that echoes through the air so often, the townsfolk are used to it. The story is well-written, and the main voice actors – Matthew Bradford, Jessica McEvoy, and Jeff Clement – put so much life into their characters that you’ll be invested from the very first twist, and on your seat for the rest of the nearly three-hour show. And you’ll want more when it’s over.
That’s another excellent trait of the stories chosen for the show – so many of them leave you wanting more. So many of the stories end in cliffhangers, with stomach-punching twists, and when you hear that outro music and Cummings’ smooth voice ushering you off to the next story or episode, you’ll want to scream or flip a table – but all you can do is sit and think for the next three hours about the implications of that one story, while your mind runs wild with all the things that could have happened after the metaphorical screen went black. That’s not to say the endings are at all unsatisfactory – quite the contrary. The authors are talented at knowing just how much to give to leave a reader happy, but also to make a reader think, and to keep the story in a person’s mind long after the show has ended.
The stories are, for the most part, separate entities, meaning you can drop in on just about any episode, at any point in any season, and dive right in without listening to anything before (although we recommend you listen to everything just for the entertainment). There are some stories – such as the acclaimed “Pen Pals” series by Dathan Auerbach – which are written as a series and are featured in multiple episodes, but for the most part, each story is a standalone, and while you may be left baffled by what you just listened to, it won’t be because you came into the middle of a series and have no idea what’s going on.
In the realm of tiny details that may seem insignificant, even their in-show ads, for companies such as Blue Apron, MeUndies, and Loot Crate, have a horrific twist at the end of them (though they do refrain from adding such a twist to their TalkSpace ads, showing the respect for mental illnesses and the people who struggle with them every day). It’s one of those small details you don’t know you appreciate until you listen to another podcast and have a boring add cut into the middle of the exciting story.
Beginner Friendly?: If you’re new to podcasts, The NoSleep Podcast is absolutely a good way to start. There’s no storyline to follow, just hour after hour of horror content that would give Stephen King nightmares.
LGBTQIA Friendly?: In the introduction for a recent season eleven episode, Cummings addressed complaints he had received from listeners who felt the show was including “too many” LGBTQIA characters. Cummings responded with grace, saying if anything they didn’t have enough characters from that community, and in addition, the following episode featured stories by LGBTQIA authors and/or centered on LGBTQIA characters, and were narrated by the LGBTQIA members of the NoSleep voice actors.
Short answer, yes, NoSleep is indeed a friend of the LGBTQIA community. Though do keep in mind – they’re still horror stories. A happy ending is far from guaranteed.
Pay to Listen?: As is the case with all of us, the NoSleep crew needs to pay to keep the lights on, and as a way to do so they’ve found a compromise that won’t outcast those who can’t afford a subscription. The Season Pass program, started in season three, allows for listeners to pay twenty dollars a month (and contribute extra if they wish) to access the full four-five story episodes. Those who can’t buy a season pass are still able to listen to the first two-three stories, depending on the length. In addition to full episodes, Season Pass holders get early access to episodes and bonus episodes.
There’s also the Rent-to-Own program, in which a listener can pay $1.49 per episode for 14 episodes, and then be upgraded to a season pass.
The season pass is retroactive – if you were to buy one now, roughly halfway through season eleven, you would get access to the full-length first ten episodes, as well as the bonus episode which was released before season eleven as a treat to season pass holders. You can also buy passes for past seasons, and be up to your ears in hours of horror.
Length: Full-length episodes are 2.5-3 hours. Free episodes tend to be closer to 1-1.5 hours.
Overall: The NoSleep Podcast is an enjoyable listen – if you enjoy stories about cannibals, mysterious creatures roaming the forest, evil gnomes, sentient sand… it’s horror. And the authors of these stories can make anything horrifying.